Wonder Woman 1984

Wonder Woman is portrayed as her established character; no established characters are identity-swapped.

Diana is a powerful female lead, but this is core to the character and the film doesn't mock or vilify men as a message; Steve Trevor is treated heroically and warmly.

• Steve Trevor returns and supports Diana rather than being diminished
• Male villains (Maxwell Lord, Cheetah) are driven by relatable insecurity, not framed as 'men are the problem'

No notable LGBTQ+, trans, or non-binary content.

Cast diversity is modest and fits the 1980s setting; nothing contradicts the world as a quota.

The film has an overt 'truth and selflessness' moral that Diana broadcasts to the world in the climax, leaning toward sermonizing but folded into the plot.

• The Dreamstone wish-renouncing theme builds to a global broadcast about the cost of greed and the value of truth
• Climactic appeal to humanity to renounce their wishes

No framing of masculinity, the West, or tradition as inherently toxic.

Liberties with comic lore (e.g. resurrection/body issues with Steve) are creative choices, not identity-driven rewrites.

• Steve Trevor's return via inhabiting another man's body