Titanic

No established characters are race- or gender-swapped; the leads are original characters in a historical fiction.

Rose is a strong woman who breaks free of her constraints, but the film does not demonize men as a message; Jack is a sympathetic hero.

• Rose rejects her arranged marriage and chooses her own path
• Cal is a villainous fiancé, but framed as a class/personal antagonist, not a statement about men

No LGBTQ+, trans, or non-binary characters or themes.

Casting reflects the early-1900s transatlantic setting with a mix of classes and nationalities; nothing contradicts the period.

There is mild class-inequality commentary, but it's woven into the romance and tragedy rather than delivered as lectures.

• Contrast between first-class privilege and third-class passengers locked below during the sinking

No framing of masculinity or Western civilization as inherently toxic; class is the main critique.

Based on a historical event with original fictional protagonists; no source characters to betray.