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The Lord of the Rings: The Rings of Power
TV series · 2022Action & AdventureSci-Fi & FantasyDrama

The Lord of the Rings: The Rings of Power

Evil has had many names.

48Mixed

AI Woke Score

Mixed

Noticeable identity content woven in.

confidence: high

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Where to watch

Amazon Prime VideoAmazon Prime Video with Ads

The Verdict

*The Rings of Power* draws criticism mostly for its diverse recasting of Tolkien's traditionally homogenous races and for a Galadriel written as a near-flawless warrior who outshines hesitant male leaders. There is essentially no LGBTQ+ content and little overt preaching — the messaging is more in casting choices and characterization than in lectures. (spoiler) Its biggest friction point with fans is the reworked lore and timeline rather than explicit ideological sermonizing.

What the AI Flagged

Each axis scored 0–100, with the receipts. The headline score weights the worst offense, so a single egregious element isn't diluted by the rest.

Identity Swaps

45

No established named Tolkien character is race-swapped, but the casting of dark-skinned elves, dwarves, and harfoots reimagines races Tolkien described otherwise, read by many as identity-driven.

  • Arondir as a Silvan elf
  • Princess Disa as a dwarf
  • Several harfoot characters

Girlboss & Male Demotion

55

Galadriel is written as a near-infallible warrior who is frequently right while male authority figures (Elrond, Gil-galad, Halbrand, Numenorean leaders) are shown as hesitant, wrong, or obstructive.

  • Galadriel repeatedly overrides male commanders and is vindicated
  • Male elven leaders dismiss her warnings and are proven wrong
  • Galadriel's combat prowess emphasized over male soldiers

LGBTQ+ / Trans / Non-Binary Content

10

No prominent LGBTQ+, trans, or non-binary characters or storylines in the series.

DEI Casting

60

Diverse casting across elves, dwarves, and harfoots is noticeable against the established Tolkien aesthetic and was clearly an intentional inclusive choice for a Northern-European-inspired mythos.

  • Multi-ethnic harfoot community
  • Dark-skinned elves and dwarves in previously homogenous races

Preachiness

25

Some thematic dialogue about hope, prejudice, and belonging, but it is largely folded into the story rather than delivered as overt sermons.

  • Lines about not judging others by appearance
  • Harfoot themes of leaving no one behind

Anti-Masculinity / Anti-West

25

Male characters are often portrayed as flawed or wrong relative to Galadriel, but there is no explicit toxic-masculinity or anti-West messaging framework.

  • Male leaders depicted as overly cautious or shortsighted

Source Betrayal

55

Heavy deviation from Tolkien's timeline and characterizations; compressed Second Age and reimagined Galadriel as a vengeful warrior depart from the lore, with some changes read as identity-driven recasting.

  • Galadriel rewritten as an impulsive warrior-commander
  • Compressed Second Age timeline
  • Invented characters and altered race depictions

Trailer & Photos

Audience Reviews

Discussion

Cast & Crew

Justin Doble (Executive Producer) · John D. Payne (Executive Producer) · Patrick McKay (Executive Producer) · Callum Greene (Executive Producer)

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