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The Exorcist
Film · 1973HorrorDrama

The Exorcist

7Based

AI Woke Score

Based

No detectable agenda — story first.

confidence: high

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Audience Score

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The Verdict

A landmark horror film with zero identity messaging. The Exorcist is a sincere, faith-centered story that treats Catholicism and its male priests as heroic, and contains none of the markers WokeMeter measures. Clean across every axis.

What the AI Flagged

Each axis scored 0–100, with the receipts. The headline score weights the worst offense, so a single egregious element isn't diluted by the rest.

Identity Swaps

0

No established characters are race- or gender-swapped; original story and characters.

Girlboss & Male Demotion

5

Chris MacNeil is a strong single mother, but men (the priests) are heroic, not diminished or mocked.

  • Father Merrin and Father Karras are portrayed as courageous, self-sacrificing heroes

LGBTQ+ / Trans / Non-Binary Content

0

No LGBTQ+, trans, or non-binary content present.

DEI Casting

0

Casting fits the 1970s American setting; no quota-driven choices.

Preachiness

10

Religious and faith themes are central but woven into the story, not preachy activist messaging.

  • The film grapples with faith and doubt through Father Karras's crisis

Anti-Masculinity / Anti-West

3

No framing of masculinity, whiteness, or the West as toxic; Catholic faith is treated reverently.

Source Betrayal

0

Faithful adaptation of William Peter Blatty's novel with no identity-driven changes.

Audience Reviews

Discussion

Cast & Crew

Noel Marshall (Executive Producer) · William Friedkin (Director)

The whole series, metered

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