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Smallville
TV series · 2001Sci-Fi & FantasyAction & AdventureDrama

Smallville

16Based

AI Woke Score

Based

No detectable agenda — story first.

confidence: high

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The Verdict

Smallville is a straightforward early-2000s superhero coming-of-age drama that stays largely faithful to the Superman mythos. It contains essentially no identity messaging—female characters are competent without anti-male framing, casting fits the setting, and there's no preaching. The story's deviations from canon are typical reboot creative choices, not agenda-driven.

What the AI Flagged

Each axis scored 0–100, with the receipts. The headline score weights the worst offense, so a single egregious element isn't diluted by the rest.

Identity Swaps

10

Characters are largely faithful to DC canon with no high-profile identity swaps of established figures.

Girlboss & Male Demotion

15

Female characters like Lois, Chloe, and Lana are competent but the show centers on Clark; no message diminishing men.

  • Clark Kent is the clear central hero
  • Chloe and Lois are capable but not flawless girlboss archetypes

LGBTQ+ / Trans / Non-Binary Content

8

Predominantly heterosexual relationships; minimal to no prominent LGBTQ+ content.

DEI Casting

20

Some diverse supporting casting (Pete Ross, later additions) that fits a modern small-town setting without overriding lore.

  • Pete Ross portrayed by a Black actor as Clark's friend

Preachiness

10

A coming-of-age superhero drama focused on identity and destiny rather than activist sermonizing.

Anti-Masculinity / Anti-West

8

No framing of masculinity or the West as toxic; traditional heroism is celebrated.

Source Betrayal

20

Reimagines Superman's teen years with new plot liberties, but these are creative reboot choices, not identity-driven rewrites.

  • Clark's romance with Lana Lang as central teen arc
  • Lex Luthor as friend-turned-villain origin

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