Shrek the Third

No established characters are race- or gender-swapped; this is an original fairy-tale parody franchise.

Fiona leads a band of fairy-tale princesses who rescue themselves in a comic subplot, with some bumbling male framing, but it's played for jokes rather than a 'men are the problem' message.

• The captive princesses (Snow White, Cinderella, etc.) organize a prison break and fight their own way out
• Shrek is portrayed as an anxious, reluctant father-to-be

No substantive LGBTQ+ content; at most light comedic gags around the cross-dressing Ugly Stepsister bartender.

• Doris the Ugly Stepsister appears as a recurring comic character

Voice casting and characters fit the established fantasy-parody world; nothing inserted as a quota.

The film's themes are responsibility, fatherhood, and self-worth (Artie's confidence arc) with no political lecturing.

• Shrek learns to embrace impending fatherhood
• Artie is encouraged to believe in himself

Some gentle ribbing of male insecurity but no framing of masculinity or the West as toxic.

• Prince Charming as a vain, incompetent villain
• Shrek's clumsiness with royal duties

Original sequel to an original franchise; no source material being subverted for an agenda.