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It Chapter Two
Film · 2019HorrorThrillerDrama

It Chapter Two

61Woke

AI Woke Score

Woke

Heavy-handed messaging over story.

confidence: high

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The Verdict

It Chapter Two is a faithful King adaptation whose LGBTQ+ content—a homophobic hate-crime opening and Richie's closeted arc—comes straight from the source material rather than being inserted as messaging. There are no identity swaps, no girlboss demotion, and no preachy sermonizing; the gay themes are real and present but woven into the horror story. Mostly clean on identity messaging, with a moderate score only for genuine LGBTQ+ presence.

What the AI Flagged

Each axis scored 0–100, with the receipts. The headline score weights the worst offense, so a single egregious element isn't diluted by the rest.

Identity Swaps

5

Adult cast matches the established child characters from the source and the first film; no identity swaps.

Girlboss & Male Demotion

15

Beverly is a strong central character, but the film does not diminish or mock the male Losers as a message; it's an ensemble.

  • Beverly leads emotionally but the male characters are equally heroic and flawed

LGBTQ+ / Trans / Non-Binary Content

55

The film opens with a brutal homophobic hate-crime attack on a gay couple, and Richie's repressed homosexuality is a notable subplot, drawn from the source.

  • (spoiler) Opening scene depicts a gay couple, Adrian and Don, attacked by bigots and Adrian thrown off a bridge
  • (spoiler) Richie's hidden feelings for Eddie and a final scene at the kissing bridge imply his closeted sexuality

DEI Casting

15

Mike is Black as in the source; casting fits the small-town Maine setting without quota-driven contradictions.

  • Mike Hanlon remains the lone Black member of the Losers' Club as written by King

Preachiness

20

The hate-crime opening carries an anti-bigotry undertone but the film does not stop to sermonize; it's a horror story.

  • The homophobic attack frames Derry's evil as enabling human cruelty rather than delivering a lecture

Anti-Masculinity / Anti-West

10

No framing of masculinity or the West as inherently toxic; bullies are villains but not as ideological messaging.

Source Betrayal

10

Largely faithful to Stephen King's novel, including the LGBTQ+ elements which originate in the source; deviations are tonal, not identity-driven.

  • The opening homophobic attack and Richie's arc derive from material in King's novel

Audience Reviews

Discussion

Cast & Crew

Richard Brener (Executive Producer) · David Katzenberg (Executive Producer) · Andy Muschietti (Director) · Seth Grahame-Smith (Executive Producer)

The whole series, metered

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