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How to Get Away with Murder
TV series · 2014CrimeDramaMystery

How to Get Away with Murder

69Woke

AI Woke Score

Woke

Heavy-handed messaging over story.

confidence: medium

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Audience Score

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Where to watch

Hulu

The Verdict

A pulpy, twist-heavy legal thriller that leans heavily into a strong Black female lead and prominent LGBTQ+ characters and relationships, which are woven into the soapy drama rather than preached. The most notable identity element is its substantial gay and bisexual content, treated as central to the cast. Otherwise its diversity fits a modern setting and it largely prioritizes melodrama and mystery over messaging.

What the AI Flagged

Each axis scored 0–100, with the receipts. The headline score weights the worst offense, so a single egregious element isn't diluted by the rest.

Identity Swaps

5

Original characters created for the series; no established or source characters to swap.

Girlboss & Male Demotion

35

Annalise Keating is a brilliant, dominant female lead, but she is deeply flawed and the men are not framed as inferior as a message.

  • Annalise Keating is a commanding, brilliant defense attorney
  • Her flaws, addiction, and vulnerabilities are explored, not idealized

LGBTQ+ / Trans / Non-Binary Content

85

Prominent LGBTQ+ content with central gay and bisexual characters and explicit same-sex relationships throughout.

  • Connor Walsh is an openly gay main character with on-screen relationships
  • Explicit same-sex sex scenes shown regularly
  • Annalise is revealed to be bisexual with a past female relationship

DEI Casting

40

A diverse contemporary ensemble that fits a present-day university setting; diversity is natural rather than forced against lore.

  • Racially diverse cast of law students
  • Black female lead in Annalise Keating

Preachiness

35

Touches on racism, the justice system, and identity through courtroom cases but generally serves the drama rather than sermonizing.

  • Cases sometimes engage themes of racial injustice
  • Annalise's monologues about race in the legal system

Anti-Masculinity / Anti-West

20

Some male characters are weak or villainous, but masculinity is not framed as inherently toxic as a thesis.

Source Betrayal

0

Original series with no source material.

Audience Reviews

Discussion

Cast & Crew

Shonda Rhimes (Executive Producer) · Peter Nowalk (Executive Producer) · Betsy Beers (Executive Producer) · Stephen Cragg (Executive Producer)

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