9-1-1: Lone Star

Original characters in a spin-off; no established characters are race- or gender-swapped.

Features competent female firefighters and officers but does not frame men as the problem; Owen remains a central capable lead.

• Female firefighters and paramedics in prominent roles alongside men

T.K. Strand is an openly gay main character whose central relationship with police officer Carlos is a recurring storyline; a trans firefighter (Paul) is also a regular.

• T.K. and Carlos's same-sex relationship is a core ongoing arc
• Paul Strickland is an openly transgender firefighter
• On-screen same-sex affection and storylines treated as central

Owen deliberately recruits a diverse 'progressive' firehouse — Black, Latino, Muslim, gay, and trans members — framed in-show as an intentional inclusion effort.

• Owen explicitly builds a diverse crew including a Muslim woman, a trans man, and a gay paramedic
• Diversity foregrounded as part of his 'progressive philosophy'

The show foregrounds Owen's stated 'progressive philosophies' and stages issue-driven storylines and speeches about inclusion and acceptance.

• Owen's 'progressive philosophies' framed against conservative Texas
• Storylines built around identity acceptance and tolerance

Some city-vs-Texas, progressive-vs-traditional framing, but masculinity and the West aren't broadly villainized.

• Owen's big-city progressive outlook contrasted with traditional Texas attitudes

A spin-off of 9-1-1 with original characters; no source material to betray on identity grounds.